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Practice Statement

My practice examines how historical experiences continue to shape everyday life long after their visible structures have disappeared.​

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Through long-term field research and moving-image works, I focus on women’s experiences on the frontline islands of Matsu, the lives of mixed-race descendants of American soldiers in Asia, and migration histories connecting Kinmen and Southeast Asia.​

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Working with oral histories, multilingual narratives, and local memories, I explore how war, migration, and geopolitical conflict are carried through language, family histories, belief systems, and everyday social practices across generations.

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East Asia Migratory Pathway of Ho's Family in Kinmen

Hand-drawn by the artist's grandmother. Embroidery on velvet fabric.

/her/ - Island, Fog, God of Dreams

Installation version

4K three-channel video installation, 24'30”, 2025

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Film version

4K single-channel film, 24', 2026

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Awake Before Your Gaze

Installation version
4K two-channel video installation, 20'30”, 2025

 

Film version
4K single-channel film, 20'30”, 2025

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(In)visible Visitor: Keelung Port

4K three-channel video installation, 7'30”, 2024

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Transoceanic Practice

Anchor, neon light, archival inkjet print, 2021

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Group Portrait of the Echoers

4K five-channel video, Color, Sound, 4’30”, 2020

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Doppelganger

4K Single-channel video, Color, Sound, 41’30”, 2020

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Nanyang Express II : Eternal Wondering and Tropical Pursuing

4K Six-channel video installation, loop, 2020

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Nanyang Express I : Trans-drifting and South Sea Crossing

4K Single-channel video, 15’00”, 2018

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Running Stitch- Bangkok

Full-HD Two-channel video, 8'00", 2017

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Requiem for the Dream of Father

Full-HD five-channel video, B&W, 22', 2017

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Ember Trilogy II- Feast

2K Single-channel video, 31’30”, 2014

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Revival Malady

Full-HD Single-channel video, 24’, 2013

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One Second Sculpture

960x540 Single-channel video, 1’45", 2009

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