創作方向
林羿綺主要創作以錄像、實驗電影和新媒體表演為主。
將影像視爲一種降靈媒介，重新編導與建構出超越真實的情境樣態，以此召喚邊緣野史，進行對國族、歷史、與家族記憶的復魅與再生產。另一方面則發展對影像與文本的相關思考，探尋類比與數位影像間的邊界，捕捉動態影像作為一種材質的的斷裂特性，更嘗試將身體介入影像，發展穿越新舊媒體間跨界展演。
Concept of Art works
Yi-Chi LIN has been focusing on video art, experimental film and New-media performances.
Her works have focused on transforming the image making process into a necromancy-like ritual that summons the marginal and unofficial memories to facilitate the re-enchantment of national and family history, while recreating the realities that surpass reality at the same time. Furthermore, Yi-Chi has been rethinking the relationship between analog and digital images, and exploring to capture the fragmented nature of imagery. In addition, her regular performances in her own works are seen as body involvement that practices the cross-disciplinary embodiment.
林羿綺主要創作以錄像、實驗電影和新媒體表演為主。
將影像視爲一種降靈媒介，重新編導與建構出超越真實的情境樣態，以此召喚邊緣野史，進行對國族、歷史、與家族記憶的復魅與再生產。另一方面則發展對影像與文本的相關思考，探尋類比與數位影像間的邊界，捕捉動態影像作為一種材質的的斷裂特性，更嘗試將身體介入影像，發展穿越新舊媒體間跨界展演。
Concept of Art works
Yi-Chi LIN has been focusing on video art, experimental film and New-media performances.
Her works have focused on transforming the image making process into a necromancy-like ritual that summons the marginal and unofficial memories to facilitate the re-enchantment of national and family history, while recreating the realities that surpass reality at the same time. Furthermore, Yi-Chi has been rethinking the relationship between analog and digital images, and exploring to capture the fragmented nature of imagery. In addition, her regular performances in her own works are seen as body involvement that practices the cross-disciplinary embodiment.
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《父域安魂曲 / Requiem for the dream of Father》- 2017
