創作方向
林羿綺主要創作以錄像、實驗電影和新媒體表演為主。
將影像視爲一種降靈媒介，重新編導與建構出超越真實的情境樣態，以此召喚邊緣野史，進行對國族、歷史、與家族記憶的復魅與再生產。另一方面則發展對影像與文本的相關思考，探尋類比與數位影像間的邊界，捕捉動態影像作為一種材質的的斷裂特性，更嘗試將身體介入影像，發展穿越新舊媒體間跨界展演。
Concept of Art works
Yi-Chi LIN’s artistic practices are mainly based on video art, experimental film and new-media performances.
Her works are aimed at transforming the image-making process into a necromancy-like ritual that summons the marginal and unofficial memories to facilitate the re-enchantment of national history and family memories, while recreating the scenario that surpass reality at the same time. Furthermore, Lin has been focusing on developing concepts of image and text, exploring the borderland between analog and digital images, and capturing the fragmented nature of moving images. In addition, she attempts to create a kind of cross-disciplinary performance by engaging her body into visual representation.
林羿綺主要創作以錄像、實驗電影和新媒體表演為主。
將影像視爲一種降靈媒介，重新編導與建構出超越真實的情境樣態，以此召喚邊緣野史，進行對國族、歷史、與家族記憶的復魅與再生產。另一方面則發展對影像與文本的相關思考，探尋類比與數位影像間的邊界，捕捉動態影像作為一種材質的的斷裂特性，更嘗試將身體介入影像，發展穿越新舊媒體間跨界展演。
Concept of Art works
Yi-Chi LIN’s artistic practices are mainly based on video art, experimental film and new-media performances.
Her works are aimed at transforming the image-making process into a necromancy-like ritual that summons the marginal and unofficial memories to facilitate the re-enchantment of national history and family memories, while recreating the scenario that surpass reality at the same time. Furthermore, Lin has been focusing on developing concepts of image and text, exploring the borderland between analog and digital images, and capturing the fragmented nature of moving images. In addition, she attempts to create a kind of cross-disciplinary performance by engaging her body into visual representation.
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《父域安魂曲 / Requiem for the dream of Father》- 2017
