創作方向
林羿綺主要創作以錄像、實驗電影和影像裝置為主。
近年創作聚焦於東亞冷戰歷史脈絡下的族群離散經驗，乃至個人身份政治裡對於記憶和夢境的採集，將影像視為降靈媒介，進而重新編導出個體生命經歷在當代時空中的復魅樣態，以召喚出地方邊緣記事，進行對於國族、歷史和群眾記憶間的再生產。
Concept of Art works
Lin Yi-Chi now works and lives in Taipei. Her artistic practice includes video art, experimental cinema, and video installation.
Lin has been focusing on the diaspora experiences in East Asia’s cold war context. By collecting memories and dreams that are interwoven with personal identities, Lin views images as the medium of necromancy, and represents the re-enchanted status of individual experiences in the contemporary era in her creation. Lin’s video works summon the marginal narratives of national memories as well as the historical and collective ones.
林羿綺主要創作以錄像、實驗電影和影像裝置為主。
近年創作聚焦於東亞冷戰歷史脈絡下的族群離散經驗，乃至個人身份政治裡對於記憶和夢境的採集，將影像視為降靈媒介，進而重新編導出個體生命經歷在當代時空中的復魅樣態，以召喚出地方邊緣記事，進行對於國族、歷史和群眾記憶間的再生產。
Concept of Art works
Lin Yi-Chi now works and lives in Taipei. Her artistic practice includes video art, experimental cinema, and video installation.
Lin has been focusing on the diaspora experiences in East Asia’s cold war context. By collecting memories and dreams that are interwoven with personal identities, Lin views images as the medium of necromancy, and represents the re-enchanted status of individual experiences in the contemporary era in her creation. Lin’s video works summon the marginal narratives of national memories as well as the historical and collective ones.
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《父域安魂曲 / Requiem for the dream of Father》- 2017
